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Meyerhold, The Magnanimous Cuckold


In 1922, The Magnanimous Cuckold, directed by Vsevolod Meyerhold with a stage design by Lyubov Popova, was a true manifesto. In Moscow, then the epicentre of the Soviet Revolution, Meyerhold’s production of The Magnanimous Cuckold unveiled a new Constructivist and biomechanical theatre, entirely based on movement and a mastery of the stage space and time.

Written by Béatrice Picon-Vallin, a leading expert on Meyerhold’s theatre, this book features an introduction to The Magnanimous Cuckold, more than 45 pictures from the Bakhrushin Museum (Moscow) and Béatrice Picon-Vallin private collection, writings of Meyerhold about biomechanics (some of them translated for the first time in English) and a bibliography.

Rewind presents a collection of studies on the greatest works and most prominent figures of contemporary theatre. Each book is based on an extensive iconographic research of previously unpublished materials.

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In 1922, The Magnanimous Cuckold, directed by Vsevolod Meyerhold with a stage design by Lyubov Popova, was a true manifesto. In Moscow, then the epicentre of the Soviet Revolution, Meyerhold’s production of The Magnanimous Cuckold unveiled a new Constructivist and biomechanical theatre, entirely based on movement and a mastery of the stage space and time.

Written by Béatrice Picon-Vallin, a leading expert on Meyerhold’s theatre, this book features an introduction to The Magnanimous Cuckold, more than 45 pictures from the Bakhrushin Museum (Moscow) and Béatrice Picon-Vallin private collection, writings of Meyerhold about biomechanics (some of them translated for the first time in English) and a bibliography.

Rewind presents a collection of studies on the greatest works and most prominent figures of contemporary theatre. Each book is based on an extensive iconographic research of previously unpublished materials.

Biographie de Béatrice Picon-Vallin

Avis des internautes


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