Quin est licencié de la maison d'édition new-yorkaise où il travaille depuis de longues années. Il est accusé par plusieurs femmes de conduite " inappropriée ". Pourtant, il peine à comprendre ce qu'on lui reproche.
Margot est sa meilleure amie. Si elle approuve la punition infligée à Quin, elle ne peut s'empêcher d'y voir une sorte d'injustice. Au fond, que désirons-nous vraiment, et pourquoi ? Qu'est-ce que le consentement ?
Dans ce récit percutant à deux voix, c'est toute l'ambiguïté de nos comportements qui se révèle, cette zone grise à laquelle seuls les écrivains ont accès. Car rien ne les oblige, eux, à juger leurs personnages.
Traduit de l'anglais (États-Unis) par Marguerite Capelle.
Dans les années 80, Alison a connu son heure de gloire comme mannequin à New York. Mais le rêve a tourné court et s'est transformé en ballade de la dépendance. La drogue, l'argent facile et les succès éphémères l'ont détruite.
Vingt ans plus tard, Alison subsiste à New York en faisant quelques heures de ménage chez un ancien amant. Elle replonge dans le tourbillon de ses souvenirs. L'enfance, les relations avec son père, l'amitié rédemptrice avec l'excentrique Veronica, morte du SIDA... Tout revient, tout s'entremêle. Alison nous entraîne à sa suite dans ce " conte de fées pour adultes " brillant et pervers.
Traduit de l'anglais (États-Unis) par Suzanne V.Mayoux
Un homme et une femme se rencontrent dans un avion. La conversation tourne à la confidence, voire à l'aveu. Un père découvre qu'il ne comprendra jamais sa fille, tout comme son propre père était resté pour lui une énigme. Un soldat à peine revenu d'Irak cherche obstinément son chien : la nuit, il traverse les champs l'arme au poing, se protégeant ainsi d'ennemis imaginaires.
D'une écriture précise, Mary Gaitskill met à nu le malaise latent dans chaque situation, la tension sexuelle, la domination sociale qui affleurent sous le vernis de l'apparence. " Pensée et émotion, chair et flux électrique " se mêlent dans ce recueil de neuf nouvelles. Proche de Joyce Carol Oates ou de Joan Didion, son style incisif révèle des personnages en équilibre instable, qui tentent de négocier avec leurs failles.
Née en 1954, Mary Gaitskill est considérée par plusieurs générations d'auteurs américains comme une icône littéraire et une nouvelliste de talent. Elle a également publié deux romans, dont Veronica, paru aux Éditions de l'Olivier en 2008.
Traduit de l'anglais (États-Unis) par Madeleine Nasalik.
Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years. In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child. Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that has come to be seen as stunningly emblematic of Gaitskill’s fiction.
From the Trade Paperback edition.
A finalist for the National Book Award and National Book Critics Circle Award, here is an evocative novel about female friendship in the glittering 1980s.
Alison and Veronica meet amid the nocturnal glamour of 1980s New York: One is a young model stumbling away from the wreck of her career, the other an eccentric middle-aged office temp. Over the next twenty years their friendship will encompass narcissism and tenderness, exploitation and self-sacrifice, love and mortality. Moving seamlessly from present and past, casting a fierce yet compassionate eye on two eras and their fixations, the result is a work of timeless depth and moral power.
A Vintage Shorts “Short Story Month” Selection
It was the first autumn of the Iraq War, when Ella saw Dani again. “Today I’m Yours” is a story of seduction and layered memory, a love affair fifteen years past but not forgotten--from the author of the National Book Award nominated and National Book Critics Circle Award finalist Veronica.
Mary Gaitskill is widely acclaimed as a caustically sharp observer of American culture high and low, of bodily temptations and sensual intelligence. A selection from Gaitskill’s story collection, Don’t Cry, a New York Times Notable Book.
An eBook short.
Following her National Book Award–nominated Veronica, here is Mary Gaitskill’s most poignant and powerful work yet--the story of a Dominican girl, the Anglo woman who introduces her to riding, and the horse who changes everything for her.
Velveteen Vargas is eleven years old, a Fresh Air Fund kid from Brooklyn. Her host family is a couple in upstate New York: Ginger, a failed artist and shakily recovered alcoholic, and her academic husband, Paul, who wonder what it will mean to “make a difference” in such a contrived situation. Gaitskill illuminates their shifting relationship with Velvet over several years, as well as Velvet’s encounter with the horses at the stable down the road--especially with an abused, unruly mare called Fugly Girl. With strong supporting characters--Velvet’s abusive mother, an eccentric horse trainer, a charismatic older boy who awakens Velvet’s nascent passion--The Mare traces Velvet’s journey between the vital, violent world of the inner city and the world of the small-town stable.
In Gaitskill’s hands, the timeless story of a girl and a horse is joined with a timely story of people from different races and classes trying to meet one another honestly. The Mare is raw, heart-stirring, and original.
From the Hardcover edition.
From one of the most singular presences in American fiction comes a searingly intelligent book of essays on matters literary, social, cultural, and personal. Whether she’s writing about date rape or political adultery or writers from John Updike to Gillian Flynn, Mary Gaitskill reads her subjects deftly and aphoristically and moves beyond them to locate the deep currents of longing, ambition, perversity, and loneliness in the American unconscious. She shows us the transcendentalism of the Talking Heads, the melancholy of Björk, the playfulness of artist Laurel Nakadate. She celebrates the clownish grandiosity and the poetry of Norman Mailer’s long career and maps the sociosexual cataclysm embodied by porn star Linda Lovelace. And in the deceptively titled “Lost Cat,” she explores how the most intimate relationships may be warped by power and race.
Witty, tender, beautiful, and unsettling, Somebody with a Little Hammer displays the same heat-seeking, revelatory understanding for which we value Gaitskill’s fiction.
Whether you count yourself a member of the hip-hop nation, bang your head yearly at Ozzfest, wear a cowboy hat, or dance to the top twenty, you're sure to find something to love in Da Capo Best Music Writing 2006. Gathering a rich array of writing by music journalists, novelists, and scribes from a wide range of sources-highbrow literary quarterlies to 'zines and blogs--Da Capo Best Music Writing is a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is revealing.
