There is a murderer, there is a murderee, and there is a foil. Everyone is always out there searching for someone and something, usually for a lover, usually for love. And this is a love story. But the murderee - Nicola Six - is searching for something and someone else: her murderer. She knows the time, she knows the place, she knows the motive, she knows the means. She just doesn't know the man. London Fields is a brilliant, funny and multi-layered novel. It is a book in which the narrator, Samson Young, enters the Black Cross, a thoroughly undesirable public house, and finds the main players of his drama assembled, just waiting to begin. It's a gift of a story from real life-all Samson has to do is write it as it happens.
'Why aren't you out smashing windows? It's not healthy' Lionel Asbo - a very violent but not very successful criminal - has always looked out for his nephew, Desmond Pepperdine. He gives him fatherly advice (carry a knife) and introduces him to the joys of Internet porn. Des, on the other hand, desires nothing more than books, a girl to love and to steer clear Uncle Li's psychotic pitbulls, Joe and Jeff.
Lionel is going about his morning duties in a London prison when he learns that he has just won Â£139,999,999.50 on the National Lottery. This is not necessarily good news for Des who has a secret that could unleash his uncle's implacable vengeance.
Like John Updike, Martin Amis is the pre-eminent novelist-critic of his generation. The War Against Clich- is a selection of his reviews and essays over the past quarter-century. It contains pieces on Cervantes, Milton, Donne, Coleridge, Jane Austen, Dickens, Kafka, Philip Larkin, Joyce, Waugh, Lowry, Nabokov, F. R. Leavis, V. S. Pritchett, William Burroughs, Anthony Burgess, Angus Wilson, Saul Bellow, Philip Roth, Shiva and V. S. Naipaul, Kurt Vonnegut, Iris Murdoch, Norman Mailer, Gore Vidal, Don DeLillo, Elmore Leonard, Michael Crichton, Thomas Harris - and John Updike. Other subjects include chess, nuclear weapons, masculinity, screen censorship, juvenile violence, Andy Warhol, Hillary Clinton, and Margaret Thatcher.
Time's Arrow tells the story, backwards, of the life of Nazi war criminal, Doctor Tod T Friendly. He dies and then feels markedly better, breaks up with his lovers as a prelude to seducing them and mangles his patients before he sends them home-Escaping from the body of the dying doctor who had worked in Nazi concentration camps, the doctor's consciousness begins living the doctor's life backwards, aware only that he is living the life of a horrible man at a horrible place in time.
An ex-circus strongman, veteran of Warsaw, 1939, and Notting Hill rough-justice artist, meets his own personal holocaust and 'Einsteinian' destiny; maximum boredom and minimum love-making are advised in a 2020 epidemic; a virulent new strain of schizophrenia overwhelms the young son of a 'father of the nuclear age'; evolution takes a rebarbative turn in a Kafkaesque love story; and the history of the earth is frankly discussed by one who has witnessed it all. The stories in this collection form a unity and reveal a deep preoccupation: '"Einstein's Monsters" refers to nuclear weapons but also to ourselves,' writes Amis in his enlightening introductory essay, 'We are Einstein's monsters: not fully human, not for now.'
When 'dream husband' Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head-injury, and personality-change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system - one among many to be found in these pages. We are introduced to the inverted worlds of the 'yellow' journalist, Clint Smoker; the high priest of hardmen, Joseph Andrews; the porno tycoon, Cora Susan; and Royce Traynor, the corpse in the hold of the stricken airliner, apparently determined, even in death, to bring down the plane that carries his spouse. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela; his Chinese mistress, He Zizhen; his fifteen-year-old daughter, Victoria, the victim of a filmed 'intrusion' which rivets the world - because she is the future Queen of England, and her father, Henry IX, is its King.
This is the story of John Self, consumer extraordinaire. Rolling around New York and London, he makes deals, spends wildly and does reckless movie-world business, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography, a mountain of junk food and more. Ceaselessly inventive and thrillingly savage, this is a tale of life lived without restraint; of money, the terrible things it can do and the disasters it can precipitate.
Fuelled by innumerable cigarettes, Martin Amis provides dazzling portraits of contemporaries and mentors alike: Larkin and Rushdie; Greene and Pritchett; Ballard and Burgess and Nicholson Baker; John Updike - warts and all. Vigorously zipping across to Washington, he exposes the double-think of nuke-speak; in New Orleans the Republican Convention gets a going over. And then there's sport: he visits the world of darts and its disastrous attempt to clean itself up; dirty tricks in the world of chess; and some brisk but vicious poker with Al Alvarez and David Mamet.
Sex without Madonna, expulsion from school, a Stones gig that should have been gagged, on set with Robocop or on court with Gabriela Sabatini, this is Martin Amis at his electric best.
At the age of ten, when Martin Amis spent a year in Princeton, New Jersey, he was excited and frightened by America. As an adult he has approached that confusing country from many arresting angles, and interviewed its literati, filmmakers, thinkers, opinion makers, leaders and crackpots with characteristic discernment and wit.
Included in a gallery of Great American Novelists are Norman Mailer, Gore Vidal, Truman Capote, Joseph Heller, William Burroughs, Kurt Vonnegut, John Updike, Paul Theroux, Philip Roth and Saul Bellow. Amis also takes us to Dallas, where presidential candidate Ronald Reagan is attempting to liaise with born-again Christians. We glimpse the beau monde of Palm Beach, where each couple tries to out-Gatsby the other, and examine the case of Claus von Bulow. Steven Spielberg gets a visit, as does Brian de Palma, whom Amis asks why his films make no sense, and Hugh Hefner's sybaritic fortress and sanitised image are penetrated. There can be little that escapes the eye of Martin Amis when his curiosity leads him to a subject, and America has found in him a superlative chronicler.
Smooth-talking, sensual and self-deluded, Gregory Riding leads an existence of formidable foppishness, his days and nights a series of effortless, titillating conquests and tireless sex - sister, employers, acquaintances are but co-stars among a cast of thousands to have passed through his busy bed. His foster brother, Terry, has to make do with the leavings as he trawls through life in a miasma of grief, burdened by an unmentionable past and the unlikelihood of ever having a good time in bed. But roles are reversed with both lives dramatically changed, when Success swivels her capricious gaze.
How can one writer hurt another where it really counts? This is the problem facing novelist Richard Tull, contemplating the success of his friend and rival Gwyn Barry. Revenger's tragedy, comedy of errors, contemporary satire, The Information is an extraordinary novel of dark humour and piercing insight.
Like a ghost or a fugitive, Mary roams through London - pursuing and pursued by memory and forgetting, by the compelling Amy Hide and the charming Mr Wrong-Martin Amis sustains an unnervingly high degree of suspense as Mary and the reader yearn to grasp what has happened to Mary's past and ponder what its loss has gained her. Unfolding is a metaphysical thriller where jealousy guarded secrets jostle with startling insights. Other People is ambitious and accomplished, heralding for Amis an unexpected new direction as a novelist and for the rest of us an experience not to be missed.
Blitzed on uppers, downers, blue movies and bellinis, the bacchanalia bent bon-vivants ensconced at Appleseed Rectory for the weekend are reeling in an hallucinatory haze of sex and seduction. But as Friday melts into Saturday and Saturday spirals into Sunday and sobriety sets in, the orgiastic romp descends to disastrous depths.
Koba the Dread is the successor to Amis's celebrated memoir, Experience. It addresses itself to the central lacuna of twentieth-century thought: the indulgence of communism by Western intellectuals. In between the personal beginning and the personal ending, Amis gives us perhaps the best one hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible.
The author's father, Kingsley Amis, was 'a Comintern dogsbody' (as he would come to put it) from 1941 to 1956. His second-closest, and later in life his closest friend, was Robert Conquest, whose book The Great Terror was second only to Solzhenitsyn's The Gulag Archipelago in undermining the USSR. Amis's remarkable memoir explores these connections.
Stalin said that the death of one person was tragic, the death of a million a mere 'statistic'. Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin's aphorism.
Martin Amis first wrote about September 11 a week later in a piece for The Guardian beginning, 'It was the advent of the second plane, sharking in low over the Statue of Liberty: that was the defining moment.' He has kept returning to September 11, in essays and reviews, and in two remarkable short stories, 'In the Palace of the End' and 'The Last Days of Muhammad Atta'. All are collected here, together with an expanded account of his travels with Tony Blair in 2007 - to Belfast, to Washington, and to Baghdad and Basra.
'We are arriving at an axiom in long-term thinking about international terrorism,' he writes: 'the real danger lies, not in what it inflicts, but in what it provokes. Thus by far the gravest consequence of September 11, to date, is Iraq... Meanwhile, September 11 continues, it goes on, with all its mystery, its instability, and its terrible dynamism.'
Summer, 1970. Sex is very much on everyone's mind.
The girls are acting like boys and the boys are going on acting like boys. Keith Nearing - a bookish twenty-year-old, in that much disputed territory between five foot six and five foot seven - is on holiday and struggling to twist feminism towards his own ends. Torn between three women, his scheming doesn't come off quite as he expects.
Tells the story of a triangular romance: two brothers fall in love with the same girl, a nineteen-year-old Jewess, in Moscow, which is poised for pogrom in the gap between the war and the death of Stalin. Both brothers are arrested, and their rivalry slowly complicates itself over a decade in the slave camp above the Arctic Circle.
There was an old story about a king who asked his favourite wizard to create a magic mirror. This mirror didn't show you your reflection. Instead, it showed you your soul - it showed you who you really were. But the king couldn't look into the mirror without turning away, and nor could his courtiers. No one could.
What happens when we discover who we really are? And how do we come to terms with it? Fearless and original, The Zone of Interest is a violently dark love story set against a backdrop of unadulterated evil, and a vivid journey into the depths and contradictions of the human soul.
Of all the great novelists writing today, none shows the same gift as Martin Amis for writing non-fiction - his essays, literary criticism and journalism are justly acclaimed. As Rachel Cusk wrote in the The Times, reviewing a previous collection, 'Amis is as talented a journalist as he is a novelist, but these essays all manifest an unusual extra quality, one that is not unlike friendship. He makes an effort; he makes readers feel that they are the only person there.' The essays in The Rub of Time range from superb critical pieces on Amis's heroes Nabokov, Bellow and Larkin to brilliantly funny ruminations on sport, Las Vegas, John Travolta and the pornography industry. The collection includes his essay on Princess Diana and a tribute to his great friend Christopher Hitchens, but at the centre of the book, perhaps inevitably, are essays on politics, and in particular the American election campaigns of 2012 and 2016. One of the very few consolations of Donald Trump's rise to power is that Martin Amis is there to write about him.
Perhaps the most gifted and innovative novelist of his generation. Martin Amis has been the object of obsessive media scrutiny for much of his career. In this much anticipated memoir, he writes with striking candour about his life and, in the process, gives us a clear view of the 'geography of the writer's mind'.The son of the great comic novelist Kingsley Amis, Martin Amis explores his relationship with his father and writes about the various crises of Kingsley's life, including the final crisis of his death. Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed twenty years later from the basement of Frederick West, one of Britain's most prolific serial murderers. Inevitably too, the memoir records the changing literacy scene in Britain and the United States, including a wealth of anecdotes along with memorable penportraits of Saul Bellow, Salman Rushdie, Philip Larkin, Robert Graves and Elizabeth Jane Howard among others.The result is a remarkable work of autobiography-profound, witty, and ruthlessly honest. As a writer's self-portrait, it is destined to become a classic.
I worked one hundred murders,' says Detective Mike Hoolihan, an American policewoman. 'In my time I have come in on the aftermath of maybe a thousand suspicious deaths, most of which turned out to be suicides, accidentals or plain unattendeds. So I've seen them all: jumpers, stumpers, dumpers, dunkers, bleeders, floaters, poppers, bursters. But of all the bodies I have ever seen none has stayed with me, in my gut, like the body of Jennifer Rockwell.'I say all this because I am part of the story I am going to tell, and I feel the need to give you some idea of where I'm coming from.'Night Train is a mystery story which lingers in the reader's mind even after Mike Hoolihan declares the case closed.
Charles Highway, a precociously intelligent and highly sexed teenager, is determined to sleep with an older woman before he turns twenty. Rachel fits the bill perfectly and Charles plans his seduction meticulously, sets the scene with infinite care - but it doesn't come off quite as Charles expects...