Arielle, 14 ans, se rebelle contre l'autorité de son père. Elle ne voit qu'une solution pour faire bouger les choses : fuguer. Sa fuite la conduira droit en enfer...
8h : Arielle fait semblant de partir pour l'école à l'heure normale.
9h25 : Elle prend l'autobus en direction de Montréal et débarque au terminus Henri-Bourassa.
17h46 : Le jour décline. Désorientée, l'adolescente se réfugie sur un banc de parc, coin Pie-IX et Monselet.
22h15 : Epuisée, frigorifiée, elle s'endort.
1h22 : Elle est réveillée par quelqu'un qui fouille dans son sac, puis violée et battue par deux hommes.
6h38 : Un inconnu lui offre son aide.
18h35 : Arielle se réveille dans un lit, nue, écrasée sous un corps. On la viole à nouveau.
21h20 : Reprend conscience dans une ruelle, étendue à plat ventre sur l'asphalte.
C'est le début d'un long cauchemar qui l'entraînera malgré elle jusque dans un réseau de trafic humain. Là où les jeunes filles de son âge sont très populaires en tant qu'esclaves sexuelles...
Sophie is in a lot of trouble. She is on probation for stealing and is doing poorly at school. Her mom doesn't really talk to her, and the other adults in her life are pressuring Sophie to talk about her bruises. Sophie worries that if she tells, she will be sent to live in a group home. Her friend Jujube is the only person who knows the truth, and now Jujube, too, wants Sophie to speak up.
Danny has survived everything life has thrown at him: being abandoned at birth, multiple abusive foster homes, life as a con man in training. But when his latest "protector" dies suddenly, Danny has to think fast or he'll be back in foster care again. He decides to assume the identity of a boy who disappeared three years before. If nothing else, he figures it will buy him a little time. Much to his astonishment, his new "family" accepts him as their own, despite the fact that he looks nothing like their missing relative. But one old cop has his suspicions about Danny, and he's not about to declare the case closed. Inspired by a true story, Who I'm Not is a powerful portrait of a boy whose identity is as fluid as a river and as changeable as a chameleon's skin.
Growing up in a picturesque Newfoundland fishing village should be idyllic for sixteen-year-old Kit Ryan, but living with an alcoholic father makes Kit's day-to-day life unpredictable and almost intolerable. When the 1992 cod moratorium forces her father out of a job, the tension between Kit and her father grows. Forced to leave their rural community, the family moves to the city, where they live with Uncle Iggy, a widower with problems of his own. Immediately pegged as a "baygirl," Kit struggles to fit in, but longstanding trust issues threaten to hold her back when a boy named Elliot expresses an interest in her.
Maddie is living on the streets, trying to protect herself and make enough money to get a place to stay and find a way to go back to school. When she meets Q, she is wary but welcomes his friendship. And then she meets Dylan, a six-year-old boy, living on the streets with his family. When Dylan's father asks Maddie to watch the boy for a while, she is happy to help. But Dylan's parents don't come back; and Maddie and Q are left looking after him. Trying to make a life together and care for her makeshift family, Maddie finds that maybe she has to ask for help.
Sixteen-year-old Salvador "Slam" Amaro thinks being the assistant coach of the Brookfield High School girls' basketball team will be an easy gig. Show up, run a few drills and pad his resumé so he can win a spot on the Ontario Provincial Under-17 team. But Slam's job suddenly gets a lot harder when the girls' coach and her daughter, the star point-guard, vanish after being threatened. Getting to the bottom of their disappearance puts Slam in confrontation with a mysterious stalker. But that's not his only problem. With the girls facing playoff elimination, Slam has to come up with some new coaching strategies while he battles some tough competitors for a place on the Ontario squad.
Iris is an aspiring actress, so when Mick, a well-known visiting Aussie director, takes an interest in her, she's flattered. He's fourteen years older, attractive, smart, charming and sexy—in other words, nothing like her hapless ex-boyfriend, Tommy. But when Iris and Mick start a secret relationship, she soon witnesses Mick's darker side, and his temper frightens her. Before long, she becomes the target of his rage, but she makes endless excuses for him. Isolated and often in pain, Iris struggles to continue going to school, where she is preparing for her role as Ophelia. When her family and friends begin to realize that something is terribly wrong, Iris defends her man, but she also takes the first tentative steps toward self-preservation.
In the isolated rural community of Unity, the people of The Movement live a simple life guided by a set of religious principles and laws that are unique to them. Polygamy is the norm, strict obedience is expected and it is customary for young girls to be assigned to much older husbands.
Celeste was born and raised in Unity, yet she struggles to fit in. Perhaps it's because of Taviana, the girl who has come to live with them and entertains Celeste with forbidden stories, or Jon, the young man she has clandestine meetings with, or maybe it's the influence of Craig, the outsider she meets on the beach. Whatever it is, she struggles to accept her ordained life. At fifteen she is repulsed at the thought of being assigned to an older man and becoming a sister wife, and she knows for certain she is not cut out to raise children. She wants something more for herself, yet feels powerless to change her destiny because rebelling would bring shame upon her family.
Celeste watches as Taviana leaves Unity, followed by Jon, and finally Craig, the boy who has taught her to think "outside the box." Although she is assigned to a caring man, his sixth wife, she is desperately unhappy. How will Celeste find her way out of Unity?
Torn from the headlines and inspired by current events, Sister Wife is a compelling portrait of a community where the laws of the outside world are ignored and where individuality is punished.
Craig and Tom have been friends since second grade, but that was five years ago and Craig is getting sick of Tom's out-of-bounds behavior. When Craig begins to realize that he may have more potential in school than he ever thought, he starts to distance himself from Tom, who is both the class clown and the school bully. But severing ties with an old friend is never easy, and a foolhardy incident in a local park pulls Craig back into Tom's orbit. Faced with the realities of Tom's home life, Craig must determine the limits of this volatile friendship.
Logan always takes the easy way out. After a night of drinking and driving he wakes up to find he has been involved in a senseless car accident and is dead. With the help of his guide, Wade, and the spirit of his grandmother, he realizes he has taken the wrong exit—he wasn't meant to die. His life had a purpose—to save his sister—but he took the easy way out and he failed. Now, before he can rest in peace, he has to try and save his sister from a future no child should face. He will only get one chance and he cannot afford to fail this time—for Amy’s sake and for his own.
Haley and Lynn are best friends. When Lynn meets Chad, a player several years older, Haley feels left out. She tries to be happy for her friend, but when her mother's new boyfriend starts making unwanted advances, Haley finds she has no one to tell. Not wanting to upset her mother's happiness and finding that Lynn is drifting away, Haley has to face her tormentor alone and face up to some very hard truths.
Max is horrified when he sees Sam Black, a new neighbor, strike a boy who is in his charge, but Max still shouts, "Thief," and tries to catch the boy when he sees him steal from the General Store in The Landings. When the abused boy runs away and takes refuge in Max's secret fort in the woods, Max must decide where his loyalties lie.
Nobody understands why Tori has suddenly become so moody and violent. When she attacks a stranger in a store, she ends up doing community service at a shelter for victims of domestic violence. She bonds with a little girl named Casey, but when Casey is abducted while in Tori's care, Tori is racked with guilt, certain that she should have been able to prevent the abduction. During the search for Casey, Tori comes face to face with an ex-boyfriend who sexually assaulted her at a party. Only when she speaks out about the assault is she able to begin to heal.
Simple country handyman Cedric O'Toole relies on his organic vegetable garden to supplement his meager income, so he's upset when vegetables begin disappearing. After several futile attempts to protect the garden, he stakes it out one night with his shotgun and spots a shadowy figure running into the woods. Cedric follows and finds a young boy living rough on his land. The boy has never been taught to read or write, and no one has reported him missing. No stranger to childhood neglect himself, Cedric takes the boy under his wing and tries to find answers. Who is the mystery boy, and why is he hiding in the woods? The Night Thief is the third novel in a series featuring reluctant sleuth Cedric O'Toole.
Canada's relationship with its Indigenous people has suffered as a result of both the residential school system and the lack of understanding of the historical and current impact of those schools. Healing and repairing that relationship requires education, awareness and increased understanding of the legacy and the impacts still being felt by Survivors and their families. Guided by acclaimed Indigenous author Monique Gray Smith, readers will learn about the lives of Survivors and listen to allies who are putting the findings of the Truth and Reconciliation Commission into action.
Jace has it all-money, cars and status. What he doesn't have is a happy home life. Forced to protect his brother from an abusive father and a neglectful mother, Jace lives a double life on the wrong side of the tracks, learning to box and trying to survive on his own merits while plotting to expose his father as the monster he is. Working reluctantly with two girls who have their own thoughts of vengeance, Jace finds that he is not as alone as he thought and that there are people he can trust.
Part of RETRIBUTION-a high-interest trilogy that can be read in any order.
Alice doesn't like noise, smells or strangers. She does like rules. Lots of rules. Nobody at her new school knows she has Asperger's, so it doesn't take long for her odd behavior to get her into trouble. When she meets Megan in detention, she doesn't know what to make of her. Megan doesn't smell, she's not terribly noisy, and she's not exactly a stranger, but is she a friend? Megan seems fearless to Alice—but also angry or maybe sad. Alice isn't sure which. When Megan decides to run away, Alice resolves to help her friend, no matter how many rules she has to break or how bad it makes her feel.
Just when Isabelle thinks her life can't get any worse, something happens to her at school that makes her wonder how she can continue to look after her younger siblings, Evan and Maisie, work at the local mini-mart and deal with her alcoholic mother. It's more than any sixteen-year-old should have to bear, but Isabelle can't think of a way out that won't hurt her brother and sister.
When Isabelle punches a girl at school, only one teacher sees past Isabelle's aggressive behavior. Challenged to participate in a group writing project, Isabelle tentatively connects with a boy named Will and discovers an interest in (and talent for) the only kind of drama she can control-the kind that happens on the page.
Life hasn't been easy for fifteen-year-old Lizzie Jackson since her father's sudden death four years ago. Shortly after he died, her mother, Lydia, began dating and drinking herself into oblivion, leaving Lizzie to parent her younger brother, Charlie. Things go from bad to worse when Lydia marries Dean. To protect Charlie from Dean's rage, Lizzie makes herself the target of his abuse. But when Dean sexually assaults Lizzie, things change forever. Can she continue to ensure her brother's safety after she flees their home?
Jenessa escapes to the sanctuary of her car and the freedom of the open road, where she can outrun her memories...if only for a while. She finds a kindred spirit in Dmitri, a warm-hearted speed demon who races at the track. But when Jenessa falls in with a group of street racers—and its irresistible leader, Cody—she finds herself caught up in a web of escalating danger. When her penchant for risk-taking spirals out of control, Jenessa has to find a way to break the self-destructive patterns she's built—before anyone else gets hurt.
Two sisters, forever tied by love and sadness.
The life of Anna Grieve and her fragile older sister, Esther, begins in Russia in the 1880s. The violent persecution of Jews leads their mother to a fateful decision, to send the girls away with her wealthy employers-halfway across the world to Winnipeg.
The girls are never at ease in their new home. Esther's beauty and glamour hide the fact that she is losing herself to mental illness. Anna, always the misfit and the rebel, leaves as soon as she can for New York where she reinvents herself as a women's rights activist in Manhattan, running an illegal contraceptive business in the shadows.
Anna spends her life torn between taking care of Esther and escaping her, never understanding the true depth of her sister's anguish. When Anna hears the news of Esther's death on an historic day in WWII, her world comes to a halt. She must travel back to Winnipeg to find out why.
Was it a suicide? Did the events of the war play a part, or is that a coincidence? Anna's search for answers will take her back to the violence of their childhood in Russia, to years of suppressed memories and untold stories of the family they left behind, and finally back to that fateful day during WWII.The mystery surrounding Anna Grieve and her mentally fragile older sister, Esther, begins in Russia in the 1880s. The persecution of Jews has become so vicious that the girls' mother decides to send her children to Winnipeg with her wealthy employers. Her intention is to join them, but the sisters never see their parents again. Frightened and cut adrift, each girl reacts differently to her new family in North America. Esther's beauty and glamorous lifestyle hide the fact that she is losing herself to mental illness brought on by a trauma during her childhood in Russia. Anna does not understand the depth of her sister's torment, and spends her life torn between taking care of her and escaping her. As soon as she can, Anna leaves for New York and makes a new life as a women's rights activist with an illegal contraceptive business in Manhattan.
When Anna receives the unexpected news of Esther's apparent suicide on If Day in Winnipeg - the day a simulated Nazi attack took place to raise money for war bonds - she returns to the city to face the possibility that If Day and Esther's early trauma are inexorably linked to her death.
On a May morning in 1939, eighteen-year-old Velma Demerson and her lover were having breakfast when two police officers arrived to take her away. Her crime was loving a Chinese man, a "crime" that was compounded by her pregnancy and subsequent mixed-race child. Sentenced to a home for wayward girls, Demerson was then transferred (along with forty-six other girls) to Torontos Mercer Reformatory for Females. The girls were locked in their cells for twelve hours a day and required to work in the on-site laundry and factory. They also endured suspect medical examinations. When Demerson was finally released after ten months' incarceration weeks of solitary confinement, abusive medical treatments, and the state's apprehension of her child, her marriage to her lover resulted in the loss of her citizenship status. This is the story of how Demerson, and so many other girls, were treated as criminals or mentally defective individuals, even though their worst crime might have been only their choice of lover. Incorrigible is a survivor's narrative. In a period that saw the rise of psychiatry, legislation against interracial marriage, and a populist movement that believed in eradicating disease and sin by improving the purity of Anglo-Saxon stock, Velma Demerson, like many young women, found herself confronted by powerful social forces. This is a history of some of those who fell through the cracks of the criminal code, told in a powerful first-person voice.
Toronto Book Award Winner Cordelia Strube is back with another caustic, subversive, and darkly humorous book
Stevie, a recovering alcoholic and kitchen manager of Chappy's, a small chain restaurant, is frantically trying to prevent the people around her from going supernova: her PTSD-suffering veteran son, her uproariously demented parents, the polyglot eccentrics who work in her kitchen, the blind geriatric dog she inherits, and a damaged five-year-old who landed on her doorstep and might just be her granddaughter.
In the tight grip of new corporate owners, Stevie battles corporate's "restructuring" to save her kitchen, while trying to learn to forgive herself and maybe allow some love back into her life. Stevie's biting, hilarious take on her own and others' foibles will make you cheer and will have you loving Misconduct of the Heart (in the immortal words of Stevie's best line cook) "like never tomorrow."
There is nothing peaceful about Samia Shariff's account. Life has not been easy for this Algerian woman, who was born in France. The third child in a Muslim family whose father is a prosperous and respected businessman, Samia was not welcome in a clan where the birth of a daughter was considered a punishment from Allah!
A powerful, at times almost unbearable narrative, Veil of Fear draws us into a world of men who justify most of their actions towards women by means of an abusive interpretation of the Koran and its teaching. Thus, from the time of her birth, Samia lives in fear. In fear of her mother, of her father, of the husband she was forced to marry at the age of 16, of the fundamentalists who constantly threaten her, of the obstetricians who want to put her to sleep, of what might happen to her children, of fleeing towards the unknown, of choosing freedom over assured wealth and, above all, of making her daughters live through the same torments she has experienced. Humiliated, beaten, raped, harassed, she had the intelligence and courage to break out of the infernal circle in which a woman depends on the totalitarian power of a man, from generation to generation. Thus, in November 2001, using false passports for herself and her five children, she crossed the Atlantic Ocean and took refuge in Canada, where she was finally able to start a real life as a mother and woman.
In a style that is both simple and effective, Samia recounts her life, her trials and, above all, her victories. For several decades she was the instrument of a completely incredible belief system that granted her no rights whatsoever, not even the right to love or even live in peace. In this respect, she is now the spokeswoman for millions of other women who have stories that are similar and possibly even worse, to tell us. In her own words, Samia says, "I lost everything I had in order to obtain what I never had: peace and love."