A l'heure où la parole sur le sexe féminin se fait plus libre que jamais, un livre qui revient aux fondamentaux : les femmes ne pourront connaître une sexualité épanouie et assumée qu'en connaissant leur corps.
À l'heure où la parole sur le sexe féminin se fait plus libre que jamais, ce livre revient aux fondamentaux.
Dès les années 1970, aux États-Unis puis en Europe, le mouvement " self-help ", mené par des militantes féministes et des professionnelles de santé, a permis à de nombreuses femmes de s'approprier les savoirs gynécologiques et de s'autonomiser. En sont nés des guides que se transmettront les femmes entre elles. S'inscrivant dans cette lignée, ce livre, aux illustrations aussi pédagogiques qu'esthétiques, mène à la connaissance de soi, à travers 10 auto-explorations : la vulve, le clitoris, le périnée, les seins... Pour prendre le contrôle !
101 trucs infaillibles pour jouir et jouir encore !
Selon des sondages, seuls 20 à 30% des rapports sexuels s'achèveraient par un orgasme pour les femmes, comme si elles devaient se concentrer sur la jouissance de leur partenaire. Clamer l'importance de l'orgasme pour les femmes représente un enjeu pleinement féministe ! Ce guide réunit 101 astuces, destinées aux femmes qui ont eu des orgasmes mais qui n'en ont plus, aux femmes qui aimeraient bien en avoir, aux femmes qui n'en ont jamais, aux femmes qui en ont seules mais pas en couple, aux femmes qui en ont mais ça dépend du partenaire ou de la position, aux femmes qui en veulent, aux femmes qui en reveulent, et aux hommes qui veulent leur en " donner "... En mettant de grands guillemets à " donner ", car un orgasme se prend autant qu'il se donne !
Conversations About Philosophy, Volume 2, includes the following 5 carefully-edited Ideas Roadshow Conversations featuring leading researchers. This collection includes a detailed preface highlighting the connections between the different books. Each book is broken into chapters with a detailed introduction and questions for discussion at the end of each chapter:
1. The Social World, Reexamined - A Conversation with Brian Epstein, Associate Professor of Philosophy at Tufts University. Brian Epstein's career as a management consultant piqued his interest and his later research into the reasons why our current models of economics, politics and other areas of social science so often go terribly wrong. The conversation explores how we can dramatically improve our current economic and political models by reexamining our assumptions about the nature of the social world.
2. Kant, Applied is based on an in-depth filmed conversation between Howard Burton and Onora O'Neill, Emeritus Professor of Philosophy at the University of Cambridge and a crossbench member of the House of Lords. After intriguing insights into Onora O'Neill's path to becoming a Kant scholar, this wide-ranging conversation explores how Kant's philosophy is relevant for many thorny issues in our contemporary social world, from human rights to patient consent to corporate transparency and more.
3. Exploring Spinoza - A Conversation with Susan James, Professor of Philosophy at Birkbeck, University of London. Susan James is an internationally-renowned Spinoza scholar and author of Spinoza on Philosophy, Religion and Politics and Spinoza on Learning to Live Together which are discussed in detail during this wide-ranging conversation. Susan James provides detailed insights into Spinoza's ideas and their current relevance; the political environment and the theological struggle about who has control of religion and how much freedom of religion there was during Spinoza's time, and more.
4. Flourishing Through Spinoza - A Conversation with Hasana Sharp, Associate Professor of Philosophy at McGill University. This conversation provides detailed insights into Hasana Sharp's book Spinoza and the Politics of Renaturalization, in which she offers a sophisticated new interpretation of Spinoza's iconoclastic philosophy. Further topics include the implications of Spinoza's naturalism to today's world, from issues of social inequality, feminism, treatment of the elderly and the environment to animal rights, and more.
5. Meaningfulness - A Conversation with Susan Wolf, the Edna J. Koury Professor of Philosophy at the University of North Carolina at Chapel Hill. This fascinating conversation explores what it is to live an ethical, meaningful life in keeping with her book, Meaning in Life and Why It Matters, the role that love, fulfillment, self-interest and happiness play in giving meaning to one's life, and how meaningful activities occur when "subjective attraction meets objective attractiveness".
Howard Burton is the founder and host of all Ideas Roadshow Conversations and was the Founding Executive Director of Perimeter Institute for Theoretical Physics. He holds a PhD in theoretical physics and an MA in philosophy.
This book is based on an in-depth filmed conversation between Howard Burton and Hasana Sharp, Associate Professor of Philosophy at McGill University. This conversation provides detailed insights into Hasana Sharp's book "Spinoza and the Politics of Renaturalization", in which she offers a sophisticated new interpretation of Spinoza's iconoclastic philosophy. Further topics include the implications of Spinoza's naturalism to today's world, from issues of social inequality, feminism, treatment of the elderly and the environment to animal rights, and more.
This carefully-edited book includes an introduction, Philosophical Relevance, and questions for discussion at the end of each chapter:
I. Radical Beginnings - Revolutionary sympathies
II. Finding Spinoza - Investigating failed revolutions
III. The Joy of the Unknown - Naturalism, denaturalism, and the third way
IV. Modern Implications - Identity politics, animal rights and the environment
V. Philanthropic Post-Humanism - Onwards and upwards
About Ideas Roadshow Conversations:
This book is part of an expanding series of 100+ Ideas Roadshow conversations, each one presenting a wealth of candid insights from a leading expert through a focused yet informal setting to give non-specialists a uniquely accessible window into frontline research and scholarship that wouldn't otherwise be encountered through standard lectures and textbooks. For other books in this series visit our website: https://ideas-on-film.com/ideasroadshow/.
philosophy, naturalism, mind-body, feminism, radical feminism, animal rights, identity politics, Spinoza, Kant
SCUM Manifesto is a digital book bringing texts and archives about the videotape of Carole Roussopoulos and Delphine Seyrig restored and available in full in the book. The videotape filmed in 1976 is a staged reading of extracts from Valerie Solanas's SCUM Manifesto then out of print in French translation. Delphine Seyrig translates some passages to Carole Roussopoulos who types them in the machine. In the background, a television broadcasts live images of the TV news which let us hear the apocalyptic news. Like the book, the film is a pamphlet against society dominated by the "male" image and "virile" action.
Eric and his buddies have left behind their all boys school to attend high school with girls. Eager to find his place in this exciting new world, Eric joins the student life committee, unaware that he is expected to enforce the school's strict dress code. The dress code is particularly harsh on the girls he is keen to get to know. Eric finds this awkward, but it's nothing compared to the position he finds himself in when the whole school revolts.
Franny is close to her parents, adores her horse and is head over heels in love with her girlfriend, Leah. But Franny's parents are abortion providers at the local hospital, and an anonymous stranger is prepared to do whatever it takes to stop them. A stranger who phones at all hours. Who knows where they live. Who knows Franny's name. When Leah's older brother, Jake, refers to her parents as baby killers, Franny starts to wonder if perhaps the threats aren't coming from a stranger at all. If she tells the police about her suspicions, she could lose her girlfriend. But if she doesn't—and if she's right—she could lose her parents.
In Desire for Development: Whiteness, Gender, and the Helping Imperative, Barbara Heron draws on poststructuralist notions of subjectivity, critical race and space theory, feminism, colonial and postcolonial studies, and travel writing to trace colonial continuities in the post-development recollections of white Canadian women who have worked in Africa. Following the narrative arc of the development worker story from the decision to go overseas, through the experiences abroad, the return home, and final reflections, the book interweaves theory with the words of the participants to bring theory to life and to generate new understandings of whiteness and development work. Heron reveals how the desire for development is about the making of self in terms that are highly raced, classed, and gendered, and she exposes the moral core of this self and its seemingly paradoxical necessity to the Other. The construction of white female subjectivity is thereby revealed as contingent on notions of goodness and Othering, played out against, and constituted by, the backdrop of the NorthSouth binary, in which Canada's national narrative situates us as the "good guys" of the world.
Two sisters, forever tied by love and sadness.
The life of Anna Grieve and her fragile older sister, Esther, begins in Russia in the 1880s. The violent persecution of Jews leads their mother to a fateful decision, to send the girls away with her wealthy employers-halfway across the world to Winnipeg.
The girls are never at ease in their new home. Esther's beauty and glamour hide the fact that she is losing herself to mental illness. Anna, always the misfit and the rebel, leaves as soon as she can for New York where she reinvents herself as a women's rights activist in Manhattan, running an illegal contraceptive business in the shadows.
Anna spends her life torn between taking care of Esther and escaping her, never understanding the true depth of her sister's anguish. When Anna hears the news of Esther's death on an historic day in WWII, her world comes to a halt. She must travel back to Winnipeg to find out why.
Was it a suicide? Did the events of the war play a part, or is that a coincidence? Anna's search for answers will take her back to the violence of their childhood in Russia, to years of suppressed memories and untold stories of the family they left behind, and finally back to that fateful day during WWII.The mystery surrounding Anna Grieve and her mentally fragile older sister, Esther, begins in Russia in the 1880s. The persecution of Jews has become so vicious that the girls' mother decides to send her children to Winnipeg with her wealthy employers. Her intention is to join them, but the sisters never see their parents again. Frightened and cut adrift, each girl reacts differently to her new family in North America. Esther's beauty and glamorous lifestyle hide the fact that she is losing herself to mental illness brought on by a trauma during her childhood in Russia. Anna does not understand the depth of her sister's torment, and spends her life torn between taking care of her and escaping her. As soon as she can, Anna leaves for New York and makes a new life as a women's rights activist with an illegal contraceptive business in Manhattan.
When Anna receives the unexpected news of Esther's apparent suicide on If Day in Winnipeg - the day a simulated Nazi attack took place to raise money for war bonds - she returns to the city to face the possibility that If Day and Esther's early trauma are inexorably linked to her death.
What is a Canadian critical race feminism?
As the contributors to this book note, the interventions of Canadian critical race feminists work to explicitly engage the Canadian state as a white settler society. The collection examines Indigenous peoples within the Canadian settler state and Indigenous women within feminism; the challenges posed by the settler state for women of colour and Indigenous women; and the possibilities and limits of an anti-colonial praxis.
Critical race feminism, like critical race theory more broadly, interrogates questions about race and gender through an emancipatory lens, posing fundamental questions about the persistence if not magnification of race and the "colour line" in the twenty-first century. The writers of these articles whether exploring campus politics around issues of equity, the medias circulation of ideas about a tolerant multicultural and feminist Canada, security practices that confine people of colour to spaces of exception, Indigenous womens navigation of both nationalism and feminism, Western feminist responses to the War on Terror, or the new forms of whiteness that persist in ideas about a post-racial world or in transnational movements for social justice insist that we must study racialized power in all its gender and class dimensions.
The contributors are all members of Researchers and Academics of Colour for Equity.
Sherene Razack is a Professor in the Department of Sociology and Equity Studies, University of Toronto. She is the author and editor of a number of books, including Casting Out: The Eviction of Muslims from Western Law and Politics, and Race, Space, and the Law: Unmapping a White Settler Society. Sunera Thobani is an Assistant Professor at the Centre for Womens and Gender Studies, University of British Columbia. She is the author of Exalted Subjects: Studies in the Making of Race and Nation in Canada. Malinda Smith is an Associate Professor in the Department of Political Science, University of Alberta, and author of Beyond the ‘African Tragedy’: Discourses on Development and the Global Economy.
Rarely a week goes by when juvenile delinquency or the Young Offenders Act are not discussed in the dominant media. Are we witnessing a moral panic over youth crime or a spate of “child-blaming” driven by the politics of law and order?
Sangster traces the history of young women and crime and in so doing punctures dozens of myths surrounding these issues. Girl Trouble uncovers the voices of girls and their families who are caught up in the juvenile justice system, and provides a critical look at the definitions of, and solutions to, female delinquency. The book fills a significant gap in Canadian social and legal history.
Feminist, educator, Quaker, and physicist, Ursula Franklin has long been considered one of Canada's foremost advocates and practitioners of pacifism. The Ursula Franklin Reader: Pacifism as a Map is a comprehensive collection of her work, and demonstrates subtle, yet critical, linkages across a range of subjects: the pursuit of peace and social justice, theology, feminism, environmental protection, education, government, and citizen activism. This thoughtful collection, drawn from more than four decades of research and teaching, brings readers into an intimate discussion with Franklin, and makes a passionate case for how to build a society centered around peace.
On a May morning in 1939, eighteen-year-old Velma Demerson and her lover were having breakfast when two police officers arrived to take her away. Her crime was loving a Chinese man, a "crime" that was compounded by her pregnancy and subsequent mixed-race child. Sentenced to a home for wayward girls, Demerson was then transferred (along with forty-six other girls) to Torontos Mercer Reformatory for Females. The girls were locked in their cells for twelve hours a day and required to work in the on-site laundry and factory. They also endured suspect medical examinations. When Demerson was finally released after ten months' incarceration weeks of solitary confinement, abusive medical treatments, and the state's apprehension of her child, her marriage to her lover resulted in the loss of her citizenship status. This is the story of how Demerson, and so many other girls, were treated as criminals or mentally defective individuals, even though their worst crime might have been only their choice of lover. Incorrigible is a survivor's narrative. In a period that saw the rise of psychiatry, legislation against interracial marriage, and a populist movement that believed in eradicating disease and sin by improving the purity of Anglo-Saxon stock, Velma Demerson, like many young women, found herself confronted by powerful social forces. This is a history of some of those who fell through the cracks of the criminal code, told in a powerful first-person voice.
Making Feminist Media provides new ways of thinking about the vibrant media and craft cultures generated by Riot Grrrl and feminism's third wave. It focuses on a cluster of feminist publications-including BUST, Bitch, HUES, Venus Zine, and Rockrgrl-that began as zines in the 1990s. By tracking their successes and failures, this book provides insight into the politics of feminism's recent past.Making Feminist Media brings together interviews with magazine editors, research from zine archives, and analysis of the advertising, articles, editorials, and letters to the editor found in third-wave feminist magazines. It situates these publications within the long history of feminist publishing in the United States and Canada and argues that third-wave feminist magazines share important continuities and breaks with their historical forerunners. These publishing lineages challenge the still-dominant-and hotly contested- wave metaphor categorization of feminist culture. The stories, struggles, and strategies of these magazines not only represent contemporary feminism, they create and shape feminist cultures. The publications provide a feminist counter-public sphere in which the competing interests of editors, writers, readers, and advertisers can interact. Making Feminist Media argues that reading feminist magazines is far more than the consumption of information or entertainment: it is a profoundly intimate and political activity that shapes how readers understand themselves and each other as feminist thinkers.
This book of personal essays by over forty women and men who founded women's studies in Canada and QuÃ©bec explores feminist activism on campus in the pivotal decade of 1966-76. The essays document the emergence of women's studies as a new way of understanding women, men, and society, and they challenge some current preconceptions about "second wave" feminist academics. The contributors explain how the intellectual and political revolution begun by small groups of academics-often young, untenured women-at universities across Canada contributed to social progress and profoundly affected the way we think, speak, behave, understand equality, and conceptualize the academy and an academic career. A contextualizing essay documents the social, economic, political, and educational climate of the time, and a concluding chapter highlights the essays' recurring themes and assesses the intellectual and social transformation that their authors helped set in motion. The essays document the appalling sexism and racism some women encounter in seeking admission to doctoral studies, in hiring, in pay, and in establishing the legitimacy of feminist perspectives in the academy. They reveal sources of resistance, too, not only from colleagues and administrators but from family members and from within the self. In so doing they provide inspiring examples of sisterly support and lifelong friendship.
Girls and women were essential to industrialization in Canada, particularly in the cotton textile industry, which was concentrated in Quebec. In 1891, for example, more than 2000 girls and women toiled in Quebec's cotton mills, representing more than half the industry's labour force in Quebec.
Conventional wisdom would have it that young girls and women were most often quiescent workers who undercut unions' organizing efforts. In fact, women cotton workers demonstrated remarkable levels of labour activism and militancy across time. these girls and women were instrumental in transforming Quebec, perceived to be a seemingly boundless source of cheap docile labour, into an increasingly urban and industrial society thus heralding the Quiet Revolution of the 1960s.
At the core of Through the Mill are 84 previously unpublished oral interviews with women born between 1895 and 1934 who worked in Quebec's cotton textile mills. These working-class women are given a chance to talk freely and in their own words about all aspects of their lives and working conditions in the cotton mills.
Gail Cuthbert Brandt also examines the companies' motivation for employing girls and women, their recruitment methods, demographics, and gender divisions both at home and in the factory, with an eye on changing economic conditions, cultural and social attitudes, and technologies.
Through the Mill is an invaluable contribution to feminist labour history and among a handful of studies to analyse the lives of women industrial workers in Canada.
Author: Gail Cuthbert Brandt is a specialist in Quebec history and Canadian women's history. She is co-author of Canadian Women: A History (three editions) and of Feminist Politics on the Farm: Rural Catholic Women in Southern Quebec and Southwestern France. She holds a PhD in History from York University. She taught for 20 years at York University's bilingual campus, Glendon College, and was named Principal of Renison University College at the University of Waterloo in 1992. A former president of the Canadian Historical Association, Dr. Cuthbert Brandt is also a founding member and former executive officer of the Ontario Women's History Network and a member of the Canadian Committee on Women's History.
"The women of Through the Mill were long silenced: by their bosses, the Church, and even their families. This study, and their voices, force us to reckon with them not as archetypes but as individuals; not as abstract martyrs, but as clever acrobats, juggling oft-irreconcilable expectations." Mathilde Montpetit, Montreal Review of Books
Quebec spoils its families, according to some, with those "long" parental leaves-a full year for mothers (Imagine!)-well-subsidized childcare and more. Marilyse Hamelin challenges that restrictive view. But she adds that although progress has been made compared to other places in North America, stop-gap measures are not the answer. Women deserve and expect more. And the fight for women's rights and equality is taking place here and now, in Canada and the US, and not in some distant Third World country.
Why can't woman have it all? Why can't the labour market and the entire infrastructure that sustains it be adapted to meet the needs of mothers-and fathers? What does that mean in practice? What are the causes of the lasting inequality between men and women? Why does our radar blank out women working at minimum wage or less?
Marilyse Hamelin answers those questions and proposes solutions, bringing to bear numerous studies, statistics, and interviews.
With a Foreword by Toula Drimonis
Author: Marilyse Hamelin is an independent journalist, blogger and public speaker born in 1980. She is a regular contributor to leading French-language publications including Le Devoir, La Presse, L'actualité, La Gazette des femmes and Châtelaine. As a committed feminist, she is often invited by Radio-Canada and other media to discuss the burning issues concerning women's rights. Motherhood, The Mother of All Sexism, published in French under the title Maternité, La face cachée du sexisme (Leméac, 2017) is her first book. Marilyse lives in Montreal.
"Journalist and blogger Hamelin's debut on systemic gender inequality is a timely reminder that, despite decades of incremental changes, stereotypes and other significant barriers continue to plague women in the workplace.... a worthy contribution that rejects the notion that women's equality has been achieved, while also proposing changes to reach that still elusive goal." Publishers Weekly
"An admirable boldness infuses Marilyse Hamelin's Motherhood, The Mother of All Sexism... Hamelin has done a great service." Kerry Clare, Quill and Quire
This collection brings together representative work from Sina Queyras's poetic oeuvre. Queyras is at the forefront of contemporary discussions of genre, gender, and criticism of poetry. Her influential blog-turned-literary-magazine, Lemon Hound, published up-and-coming writers as well as work by established literary figures in Canada and abroad. The title, Barking & Biting, makes reference to the tagline of Lemon Hound: "more bark than bite." Erin Wunker's introduction situates Queyras's poetry within ongoing debates around genre and gender. It suggests that Queyras's writing, be it literary critical, poetic, or prose, is precise and probing but avoids toothless critical positioning. It pays particular attention to Queyras's poetic innovations and intertextual references to other women writers, and suggests that read together Queyras's oeuvre embodies an engaged feminist attention-what Joan Retallack has called a "poethics," where poetry and ethics are bound together as a mode of inquiry and aesthetics. Queyras's poems trace a consistent concern with both poetic genealogies and the status of women. Thus far, twenty-first century poetics have been preoccupied with two ongoing conversations: the perceived divide between lyric and conceptual writing, and the underrepresentation of women and other non-dominant subjects. While these two topics may seem epistemologically and ethically separate, they are in fact irrevocably intertwined. Questions of form are, at their root, questions of visibility and recognizability. Will the reader know a poem when she sees it? And will that seeing alter her perception of the world? And how is the form of the poem altered, productively or un-, by the identity politics of its author? These are the questions that undergird Queyras's poetry and guide the editorial selections. Queyras's poetics pay dogged attention to questions of both representation and genre. In each of her poetry collections she inhabits tenets of the traditional lyric but leverages the genre open to let conceptualism in. This is demonstrated in her afterword, "Lyric Conceptualism, a Manifesto in Progress," which was first published on the Poetry Foundation's Harriet the Blog. In it Queyras puts forward a set of maxims about the possibilities of a new hybrid, the conceptual lyric poem.
Space Between Her Lips presents the first selected works of one of Canada's most important poets of the last few decades. Margaret Christakos writes vibrant, exciting, and intellectually challenging poetry. She plays language games that bring a probing and disturbing humour to serious themes that range from childhood and children to women in contemporary techno-capitalist society to feminist literary theory, and so much more.
Gregory Betts' introduction to the collection highlights her formal diversity and her unique combination of feminist and avant-garde affinities. He connects the geographies of her life - including Northern Ontario where she was raised, downtown Toronto where she studied with cutting-edge authors and artists like bpNichol and Michael Snow, and Montreal where she integrated with the country's leading feminist authors and thinkers - with her polyphonic experimentation. While traversing the problem of bifurcated identities, Christakos is funny at a deeply semiotic level, wickedly wry, exposing something about the way we think by examining the way we speak of it.
In her afterword, Christakos maps out a philosophy of writing that highlights her self-consciousness of the foibles of language but also deep concern for the themes she writes about, including her career-length exploration of self-discovery, hetero-, queer and bi-sexual sexualities, motherhood, self-care, and linguistic alienation. Indeed, Margaret Christakos is a whole-body poet, writing with the materiality of language about the movement of interior thought to embodied experience in the world.
Voix de femmes insoumises
Traduit de l'anglais par Jonathan Lamy
Ces poèmes bilingues (anglais-français) se déplacent, multipliant voix, corps, paysages. Chez soi ne cesse de bouger. Chaque poème est un mouvement. Cri de ralliement et de solidarité, Le premier coup de clairon pour réveiller les femmes immorales est un manifeste où retentit une parole résolument engagée.
Donnez-moi des femmes-lois
des femmes qui ne la ferment pas
des femmes qui n'ont pas peur
Donnez-moi des femmes monstrueuses
Poète, artiste de la parole et animatrice, Rachel McCrum est née en Irlande du Nord. Elle vit à Montréal depuis 2017 et codirige le Mile End Poets' Festival.
"Biting and beautiful." - Jonny Sun, author of everyone's a aliebn when ur a aliebn too
Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki's song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins.
But as Rukmini's star rises and Neela's stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm.
Celebrated multidisciplinary artist Vivek Shraya's second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.
Driven from their homes in Russia, Poland, and Romania by pogroms and poverty, many Jews who came to Canada in the wave of immigration after the 1905 Russian revolution were committed radicals. A Future Without Hate or Need brings to life the rich and multi-layered lives of a dissident political community, their shared experiences and community-building cultural projects, as they attempted to weave together their ethnic particularity-their identity as Jews-with their internationalist class politics.