" J'ai adoré Mrs Caliban... Une parabole impeccable, magnifiquement écrite, du premier paragraphe jusqu'au dernier. " John Updike Dorothy se languit. D'action, d'amour, d'enfants. Jusqu'à ce qu'une gigantesque créature débarque chez elle. Une créature qui dit s'appeler Larry et avoir besoin d'aide. Une créature qui va bouleverser son existence...
Parue en 1982 aux États-Unis et encore inédite en français, une fable saisissante d'imagination, comparée par les critiques aussi bien à
King Kong, à
La Belle et la Bête, au
Magicien d'Oz, qu'aux récits d'Edgar Allan Poe, aux contes de fées d'Angela Carter ou encore aux oeuvres hallucinées de David Lynch. Inspirée par la deuxième vague féministe, Rachel Ingalls brosse le portrait d'une jeune femme qui se libère d'un quotidien monotone et castrateur, se découvre, émotionnellement, sexuellement, et existe enfin.
Une pépite Vintage à redécouvrir au plus vite !
'Every volume [Rachel Ingalls] has written displays the craft of a quite remarkable talent. Tales of love, terror, betrayal and grief, which others would spin out for hundreds of pages, are given the occluded force of poetry.' Amanda Craig, IndependentRachel Ingalls (b. 1940) grew up in Cambridge, Massachusetts, and has lived in London since 1965. Theft, her literary debut, won the Authors' Club First Novel Award for 1970.'Theft is a parable-parallel taking place in some dehumanizing, militarized society where Seth, a starving working man, is jailed for stealing a loaf of bread. In prison with him is a manic-messiah, a wife-killer, some affluent youngsters doing their 'mental slumming' via protest, and his protective, smarter brother-in-law.' Kirkus Review 'Imaginative and intelligent'. Sunday Times 'Tautly told with great power.' Sunday Mirror
'Every volume [Rachel Ingalls] has written displays the craft of a quite remarkable talent. Tales of love, terror, betrayal and grief, which others would spin out for hundreds of pages, are given the occluded force of poetry.' Amanda Craig, IndependentRachel Ingalls (b. 1940) grew up in Cambridge, Massachusetts, and has lived in London since 1965.The title-piece in this collection, first published in 1974, is the novella The Man Who Was Left Behind, which tells of a retired lawyer from the American South whose entire family has been destroyed. His grief drives him to haunt the bars, parks and laundromats of the town where he was once a respected citizen. The accompanying stories 'St. George and the Nighclub' and 'Something to Write Home About' are both set on the island of Rhodes, and both offer disquieting portraits of marriage.
'I loved Mrs Caliban. So deft and austere in its prose, so drolly casual in its fantasy...' John UpdikeFirst published in 1982, Mrs Caliban was in 1986 selected by the British Book Marketing Council as one of the 20 best post-war American novels.'Ingalls takes a B-movie premise (aquatic humanoid escapes from lab) and pounds it into a thrilling new shape - a vehicle for social satire, kitchen-sink realism, surreal domesticity, and just plain blood-curdling screams. The book deals with incest and insanity, curtailed feminine social spheres and the Other; horrific violence and a palpable sadness saturate the pages.' Ed Park, Village Voice This volume also includes two story collections, Three of a Kind and The End of Tragedy, so making a tremendous primer in the subtle prose style and fabulist force of Rachel Ingalls.
Academic anthropologist Stan Binstead is headed off to East Africa on sabbatical. Adulterous by nature, he's irked when his wife Millie asks to accompany him. But as the couple pass through London the balance of power in their marriage begins, strangely, to shift - a transformation that becomes yet more pronounced on safari.Sometimes considered by critics as a variation on the themes of Hemingway's 'The Short Happy Life of Francis Macombe', Binstead's Safari was first published in 1983. 'The tone of the novel deepens into a psychological study of these two people and the subtle and complex ways in which the exotic environment works upon each of them... Ingalls' style maintains the wry grace of a sophisticated romance, a control guaranteeing that the denouement will not only be inevitable but astonishing.' Elaine Kendall, Los Angeles Times
'[Rachel Ingalls'] work combines subtlety and horror, magic and stark realism, Greek tragedy and happily-ever-afters. Her characters are true to life even as they embody classical archetypes - Icarus, Odysseus, Psyche, people wandering too long, striving too far, watching their loved ones by faint lights. In Days Like Today , her tenth volume of fiction, Ingalls brings together five works linked by war and fate... Ranging in length from a dozen to a hundred pages, some of the pieces have the elemental focus of short stories, others the psychological depth of novels... together they constitute something rare and fine... Character is Ingalls's greatest strength... Her people are four-dimensional, rich in pasts and hopes as well as physicality. Ingalls documents truths that are stranger than fiction, and it is this that makes Days Like Today a remarkable collection.' Tobias Hill, Guardian
The Pearlkillers, first published in 1986, is a collection of four novellas: 'Third Time Lucky', 'People to People', 'Captain Hendrik's Story', and 'Inheritance', the action of which gives the volume its title. '[Rachel Ingalls'] characters all bear the mark of Cain: They are innocents (no matter that some may be killers) who are swept along through tepid, flat circumstances until suddenly all hell breaks loose, and the Furies erupt to claim their prey... In her best work, Ingalls is as monochromatic as Edgar Allan Poe, going straight to her target with the same ease and surety as an arrow skims to its bull's-eye... And just as Poe's craft was exactly suited to the conventions of the short story form, so Ingalls' vision is exactly suited to the length and scope of the novella... Like Poe, Rachel Ingalls is more than a master storyteller: She is also a superb artist.' Los Angeles Times
'Rachel Ingalls writes the kind of macabre, fantastic and haunting fiction called American Gothic... Its antecedents lie not in the hysterical 18th-century rebellion against reason, but in Jacobean tragedy, and in the complicated American relations with greed and Puritanism. Ingalls is one of the most brilliant practitioners of this Gothic since Poe... Black Diamond is a collection of five short stories, loosely linked by the theme of kinship. Ghoulish and gripping, they all begin in an atmosphere of unsophisticated tranquillity...' Amanda Craig, Independent'The stories in Black Diamond... wrap themselves insidiously around your curiosity, and draw you with them.' Sunday Times'[Ingalls'] vision evokes a world where psychosis and extreme violence stalk the American dream.' Time Out